Sigmund, misunderstood

July 23rd, 2008 | Category: art promo

Carbunkletown. Population 789. Home to Mrs. Catsballs the contortionist, Father Pricklenuts the limp wrist, Frauline Gertude the snowglobe collector, Peter Sniffles the throat slasher.

789 residents: all different colors, some with herpes, some with stinkeye, all incapable of embracing emotion.

But down in the hollows of Carbunkleton, past Herman’s Booze Hut and a few stone throws from Porno Delight, lived a boy named Sigmund, and Sigmund loved music. He loved it more than the other 788 townsfolk, who turned the radio to the local Top 40 station only to block out barking dogs and dumpster-rummaging flaneurs. But they never listened to music to FEEL.

As he tacked up posters of his favorite bands, Sigmund would silently thank them for singing the words that swam in his heart, for screaming the cries that rattled inside his mind. He’d throw on records he found in neighbor’s garbage cans — discarded after they realized they might need to put effort into listening to it, that it wouldn’t go down nice and smooth like a swig of Pepto Bismol — and lay back in his bed, watching the hair on his arms stand up as the singer’s voice pierced through his heart with molted emotion.

Sigmund would excitedly run through the town square when he found a new band that made his heart quake. He’d try to implore the Widow Crotchbiter to listen, he’d tug on Jake the Smut Peddlar’s sleeve, tap Susie Chibbles on the back.

"Please, you have to listen to this band! They’re so good and full of emotion and they’re from Smugglesville and there’s this one song and and–"

"You’re so dumb, Sigmund," they’d laugh.

"Grow up, Sigmund," his co-workers would say.

"But, this record saved my life, seriously!" Sigmund would cry in defense.

"Music is for drowning out crying babies," his boss Patty Rumproast sighed when he asked for a night off to go see the Anal Probes play at a neighboring town. "And sometimes dancing to when you get drunk at weddings. Why would you want to actually FEEL something? That’s so stupid. YOU’RE stupid."

Slowly but surely, Sigmund put up his walls and stopped trying to express himself and stopped trying to share his love of music with his friends. He stayed inside his hut, listening to post-hardcore records with his headphones on, so he wouldn’t receive a citation from the out-pouring of emotion from his windows.

After time, his right eye swelled from the stress of bottling his feelings. Turned out his giant right eye really like synthpop, though.

______________________________________________________

Original painting on a thick 8×8 wrapped canvas. Sigmund is loaded with texture and would make a great gift for your favorite misunderstood music-lover.

 

4 comments

The Cure Pilgrimage: The End

May 23rd, 2008 | Category: really bad ideas,travel

VI: The After Show

Corey and I couldn’t think of a better way to cap off such an amazing concert than by returning to our luxury motel. Pulling into the lot at 11:30, we were greeted by several shifty denizen who chose to congregate outside their rooms with beer and cigarettes. Corey wanted to get a picture of the Pennant Night Club next door, because it was country night and this amused him to no end, but he made me go with him. It was at this point that I realized I was probably more suspicious than anyone else in that lot, what with the way I stopped dead in my tracks, hunkered over to suppress giggles, to stare at a couple across the lot.

Corey gave me this look that screamed, “What the fuck, are you crazy? You can’t just stop and STARE at the crazy townies having sex around their clothes out front of their room!”

I snapped out of it and followed him to the street.

“This place has wi-fi?” Corey asked in amazement after we reached the front of the motel. “How does a place like this have wi-fi?”

“They probably steal it,” I said, shrugging, and then we both laughed and couldn’t stop because the Giddy Sibling Bug had bit us.

Back inside our room, I called Christina to tell her that the state she was born in sucks. She was really hurt by it, and Corey shouting things like, “New Jersey is gay!” in the background only wrenched the knife further, because she actually is gay. I mean, she has a tattoo of New Jersey on her leg, that’s how proud of it she is.

“Where exactly in New Jersey are you?” she asked. I couldn’t remember the name of the town, other than the fact we got lost and ate at Pat’s Pizzeria in Gloucester, and that we saw a lot of signs for Camden.

“Um, no wonder you hate it. Camden??” That’s when I learned that Camden had replaced Detroit as the most dangerous city in the nation. “You should be OK as long as you’re not in a gang, though,” she reassured.

Meanwhile, Corey was debating whether or not he wanted to take a shower. “I mean, did you see the shower curtain? It has burn holes in it,” he whined. But he finally manned up and conquered the shower stall. He came out of the bathroom a walking cautionary tale.

“I don’t even want to think about all the dirty New Jersey sex that was in that shower before me,” he spat with disgust.

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“And just so you know, the water smells like fish. Have fun with that in the morning.”

We got comfortable in our respective knife-slashed beds with the local Gloucester channel on TV. Backed with all the best soft rock hits were still-ads for the local cemetery, a middle school talent show, and a list of the honor roll students. It was a sweet surprise when the ads were pre-empted with some small-scale recording of a youth fishing competition. It was awesomely terrible and we couldn’t stop watching.

“This almost makes me want to live here,” I said. Then we laughed.

“I’m so afraid to close my eyes and sleep. This place scares me. Have you ever seen No Vacancy?” Thanks, Corey. Thanks for making that the last thought in my head before I fall asleep.

Around 1:30am, a nearby door slammed. “Oh goodie, our neighbor’s home!” Corey facetiously enthused. Then he got up and put his face up to the peep hole.

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I was paranoid he was going to get shot, so with the covers pulled up to my chin, I hissed for him to get away from the door.

I woke up in the middle of the night, thinking I heard a car alarm. I wasn’t sure if I was dreaming or not, but I remember thinking I should probably check to see if my car was still in the lot but I was too afraid to go out there. (The window of our room overlooked the back of the property, not the lot.)

The next morning, we gladly turned in our key and Corey snatched a covert picture of the miserable desk clerk who hated us.

VII: Cereality

Aside from seeing the Cure (and eating at Pat’s Pizzeria), the only other thing I refused to leave before doing was getting breakfast at Cereality, located on U Penn’s campus in Philly. I was proud that I finally forwent using Henry as an atlas and tapped into my Blackberry’s resources to find the place, nary a wrong turn. But first, we filled up the gas tank in Gloucester. I tried to get it myself, thinking I could get away with it, but an older Mexican swooped in and grabbed the nozzle off me. Foiled.

As soon as we crossed the threshhold, I was in my happy place. “Rock Me Amadeus” was playing when we got there and Corey, who is in AP Euro and should maybe try acting like it, said, “Huh. We had to listen to this song in my history class.  I think it’s supposed to be about someone historical?”

Siouxsie and the Banshees’ “Kiss Them For Me” came on just in time to aid me in tuning out the disgusting trucker-caliber sniffling and snot-suckering taking place behind me. Mmm, yummy — just what I want to hear while I’m trying to decide what I want to EAT. A nice bowl of bubbly snot? A mucous smoothie? There’s not enough froth on my coffee, would you mind blowing your nose in it?

Fucker.

At home, I have a healthy bowl of oatmeal every day, with a hearty handful of flax seed sprinkled in for good measure; so I decided to live large and ordered a bowl (it’s actually served in an over-sized Chinese take-out container) of The Devil Made Me Do It. Basically it was the most disgusting, stomach-turning house-blend on the menu and I was entirely too overwhelmed to come up with my own concoction without at least six months prior planning. Cereal is some serious shit.

One of the people working there was this awesome Goth chick with spiky blond hair and black lipstick. Corey and I simultaneously fanned ourselves.

“She’s like, so cool,” I enthused, and Corey concurred. It doesn’t take much to impress us. Evidently, just some bleach and a faceful of kohl.

After I paid for my container of diabetic shock, I went to the milk counter and, as if to apologize to my body for what I was about to funnel into it, I squirted skim milk onto the cavity-making mound.

Joining me at a small outside table, Corey blurted, “Guess what that Goth girl talked to me!

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“Oh my God, LUCKY! What did she say??” Sadly, I really was jealous.

“She said, ‘Did you pay for that already?'” We squealed over that for a few seconds, and then he added, “And her name is SIMONE!”

My cereal consisted of Cocoa Puffs, Lucky Charms, malt balls, and chocolate syrup. I don’t even like malt balls, but goddamn all cereal should have them. It was the best ever, but after five spoonfuls, my belly tried to reject it. Of course I forced down almost the entire thing and got sick as soon as we hit the turnpike. Corey was smart (and boring) and got something healthy that was made of Life, strawberries and honey or some shit.

While we ate our cereal, “Just Like Heaven” played and we were like, “What the fuck, best breakfast ever.”

Five hours later, we were standing in my living room, blabbering on to Henry about our motel and the people we saw there, Pat’s Pizzeria, all the strip clubs, being lost, not understanding how to get gas.

“I feel like there should be a movie about this: When Well-To-Do Kids are Forced to Fend for Themselves.”

[Part 1][Part 2][Part 3]

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Infecting Newport, KY: Part 2

April 03rd, 2008 | Category: music

Southgate House

The night before I left Pittsburgh, I started to lose my voice at work. I had been sick all week with some kind of throat thing and general congestion, but nothing was stopping me from seeing Xiu Xiu. By the time we left Huddle’s Café, I possessed the vocal prowess of a dying frog and began coughing my lungs up all over the grimy streets of Newport. My gift to ye, Kentucky.

Christina and I jaywalked back to the Southgate House at 9:00pm. The ticket person wasn’t there yet, so we loitered in the hallway with several other people who were all staring listlessly at the wide array of concert posters plastered along the walls. I took clandestine pictures of the people in front of us because at the time, it offered more enjoyment than conversing with Christina.

It wasn’t until around 9:45pm that the ticket people finally filled their seats behind the table and we got to enter the ballroom area of the building. Small round tables were scattered around the room, and we grabbed the last empty one near the stage. If I had any foresight into how much time we were about to spend at that table, I’d have lugged in a La-Z Boy on Christina’s back.

I’m not really offended by indie/hipster types, the dominant populace of the venue that night, but Christina developed an immediate disdain for the girls with Pocahontas-style headbands and messy half-ponytails. "I was just thinking that some of these girls are cute, but the fact that I know they’re assholes ruins it for me."

Xiu Xiu

It’s people like Christina who keep our nation from kicking prejudice. Okay, and me, too.

It wasn’t until 10:30 that Thao with The Get Down Stay Down took the stage with their inoffensive brand of indie-folk. In other words, it was pleasing to the ear, but boring. It made me feel really hungry though because I couldn’t stop thinking about how they would have sounded so much better if they were the house band at a restaurant and my back was toward them while I shoved spaghetti-wrapped forkfuls into my gaping maw.

Then I started to think about how I hadn’t eaten in five billion hours and my nose was starting to run and I couldn’t stop coughing and I really wanted to die. Plus, my aging body isn’t used to attending 21+ shows that don’t start until after 10:30 at night and so I kept yawning and resting my cold-stuffed head on my hands and basically illustrating how NOT to act if you don’t want everyone to know you’re the token square at the show.

Also, probably you shouldn’t use words like "square," either.

During Thao’s set, a Super Tall Guy meandered over to the throng of people that had slowly collected at the front of the stage, obstructing our view completely. I didn’t care, because I was only there to see Xiu Xiu, but we still got pissy about it because that’s what we do at shows, us old people — we bitch and complain about those goddamn kids with their long fucking torsos and mop-topped heads that make better doors than windows. When the second tallest guy in the room sauntered up behind him, we lost it.

Then the two most annoying girls in Kentucky wandered over and stopped, naturally, directly in front of our table. I’m not sure exactly why they chose that particular spot, but there was feet upon feet of empty floor separating them from the stage. I thought that maybe they were deliberating where to go, but no. No, they planted their feet down, staked the floor with a flag bearing their name, and stayed there during the entire set. They even gradually migrated further back until the one girl’s asscheeks were nearly resting on the edge of our table. Christina suggested using the threat of rape to get them to stand elsewhere and then tried to slip one of my Moo cards in their back pockets. The one girl wore an ugly tweed blazer and seemed to be confused with where to place her feet; she kept shuffling them like a deck of cards, but then I noticed she was also swaying and slightly moving her arms, and that’s when it occurred to me she might be dancing. A male friend joined them later and he danced as though he was listening to Yacht rock.

I’ve never been more embarrassed to be white.

The next band to play was Why?, short for Why Are They Still on the Stage Oh My God Kill Me Want To Die Please End It All Now WTF Do They Think This Stage Is Their Summer Time Share? Turns out Why? is originally from Cincinnati and 75% of the people there that night were there to support them specifically. We’re talking everyone they knew from college. People from their sixth grade study hall. Bus boys who may have once refilled their water at Olive Garden in 1997. Their parents. 

Before the inaugural note even had a chance to resonate in the atmosphere of the room, the crowd went fucking apeshit. People were clotheslined against the balcony, frantically waving in the air, lips moving along with the lyrics. The crowd in front of the stage amassed a head count that quadrupled what it was for Thao.

It sounded like they said they were only playing three songs from their new album, but after ninety minutes of relentless xylophone malleting, I realized what they meant was, "We’re going to play three songs from our new album, ten songs from other albums, some B-sides, I’m going to try and sing the Star Spangled Banner and then give up when I forget the lyrics after the second line [this really happened], and then if we start running out of material, I’ll sing a song I wrote when I was four about how dogs sniff butts and girls have vaginas and I think I might too."

They would tease us, Christina and me. They would say things like, "We’re going to play one more song," and we’d exchange looks of utter relief, thinking there was a God after all, Christina would kiss her imaginary rosary, but then after that one last song they’d start playing another song that sounded like the song two songs before the last song that was supposed to be their last song and why did they have to have so many songs? I was getting sicker, coughing harder, speaking less. I even fell asleep a few times because it was after midnight by this point and I was TIRED.

During one song, the singer stopped and said, "That got messed up, so we’re going to start that verse over again," and the crowd went wild. "YES PLAY IT AGAIN! WE LOVE YOU! WHY? FOREVER!" Clearly, Why? is a band of local heroes. Then to our horror, someone would shout, "PLAY ONE MORE SONG!" and dozens of people would follow and Christina would shout, "NO DON’T!" loud enough for both of us since my voice was completely gone by then and no one actually retaliated against Christina’s protests but I wasn’t ruling out a potential beating with orange-stuffed socks after the show. She kept shouting, "XIU XIU! WE WANT XIU XIU!" to counter the pleas for more songs, and I was relieved that I taught her how to pronounce their name. (Shoo-Shoo, not Zyoo-Zyoo.)

Look, they were a decent band. Probably I’d have written a glowing review if they kept their set down to a thirty minute maximum. You know, since they weren’t HEADLINING.

What I’ll always remember about Why? is that the world’s most huggingest couple stood in front of our table and used their music as the soundtrack for all the hugging and lower back-caressing they shamelessly engaged in. I’ve seriously never seen two people spontaneously embrace with such nauseating passion and urgency. The man was about to leave to get a beer and they hugged as though he was never coming back.

By the time Why? left the stage, it was nearly 1:00am. I looked at Christina with sad eyes and croaked, "I don’t think I’m going to make it." But then Xiu Xiu came out and started setting up, reminding me that I had driven five hours to see them. Even though I was so sick, probably had a fever, may have been hemorrhaging from all the forceful coughing, I still marched my ass up to the front of the stage because I’d be damned if any fucking hugger or tall Indian-sweatered douche was going to block  my view. Christina stood behind me, just in case I succumbed to the sickness and fell to the floor, I guess, and we watched curiously as Xiu Xiu dragged their carnival of instruments onto the stage. They had a gong, a hand-pumped piano, some weird Casio-looking keyboard that was played like a clarinet, a flute, whistles.

Xiu XiuCaralee of Xiu Xiu gave her synth one last fiddle and then they started playing. As soon as the singer, Jamie Stewart, opened his mouth to utter the first string of lyrics, wrapped with dramatics and dipped in pain, I turned to look at Christina. I’ve never before seen so much of the whites of her eyes and her lip was slightly curled back, exposing her teeth. She looked fearful, like she had just walked in on her mom fucking a dwarf. The room buzzed with dulcet tones of chimes and electronic beeps while Jamie’s voice would fluctuate between anguished whispers and short phrases spoken in a staccato’d monotone before launching into soaring crescendos that socked the breath out of my lungs and made my heart ache. The mood would go melancholy again, lyrics murmured with delicacy, mellow strumming of a guitar, only to jar the crowd with unexpected crashes and stangulated shrieks.

Jamie had a tower of cymbals in front of him and he would occasionally grab a fat drumstick and sweetly tap at them. He would start to walk away, only to turn back and lunge at the cymbals, violating them with frantic beatings while shouting, "Oh my God oh my God oh my God" into the mic. His face would contort into the primal twisting of a killer, sweat dripping down his temples in rivulets. I forgot about being sick. Though I was still using the edge of the stage to keep myself from folding.

Xiu Xiu

Xiu Xiu’s music is dark, bleak, unsettling. I admit that if I’m driving alone at night and one of their songs comes on, I’ll usually skip it because it makes me shiver and instinctively toss furtive glances over my shoulder.

During one song, Jamie fell to his knees and continuously screamed into the mic while scraping a metal washboard, his tortured soul was vomiting angst and passion all over the stage, and it was one of the most satisfyingly horrifying things I have ever seen. I was telling this to Collin and he looked confused, having heard one of Xiu Xiu’s songs before. "But they don’t sound like a heavy band," he argued. A band doesn’t have to be playing Viking metal to earn the right to belch out blood-curling cries. Don’t let Xiu Xiu fool you into thinking they’re some cute little indie art band, because they made me want to hold my mommy’s hand.

In 2004, I wrote this in my LiveJournal:

When I listen to Xiu Xiu, I drift off into a different realm that’s occupied by talking antique dolls that reside in a pastel village surrounded by millions of miles of open pastures and no neighboring towns. I’m dressed like a ballerina with a thick ribbon tied around my neck, only it’s tied too tight and I run around scratching my neck, trying in vain to remove it, while people roam around me with vacant smiles and backward limbs. And even though the sun is shining, the sky is dark.

Then I come upon a tiny steeple and the singer from Xiu Xiu speeds out on a unicycle and starts singing "Clown Towne" in my face while throwing over sized lollipops at me. His smile is so wide and then I notice that it’s because the sides of his mouth are ripped. Then he starts stabbing me while albino midgets stand around giggling and throwing confetti.

And then I’m raped by a mannequin.

But I still listen to Xiu Xiu. I kind of like feeling disjointed.

Four years later and I still feel the same way. By the time their set ended at 2:00am, I was wide awake and wanted to rehash every single moment of it the whole way back to Christina’s house. Of course, as we walked out, I overheard people complaining about not getting what they wanted. "They didn’t play ‘Fabulous Muscles!’" some people griped to each other. I scowled at the complainers as I walked out. They could have played the same song over and over for the entire set and I still would have been grateful at the opportunity to see them. It easily secured a slot in my Top Ten Best Shows.

 

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Complex Love

January 28th, 2008 | Category: nostalgia

“It’s just a little farther, I promise.” My neighbor Christina wears stained clothes and her ratty blond hair hangs in tangled clumps, like twisted tassels sprouting from her scalp. One limp arm swings back, revealing a cigarette clamped between two fingers.

My neighbor Christina is ten years old. I don’t know why I agreed to follow her, but I guess on that spring day, I didn’t have much else going on. Christina’s mother had a protruding jaw line and once enjoyed a wine cooler that she purchased from me with a handful of pennies and nickels. I told her to just take it, she was embarrassing herself.

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 She only knew her daughter’s whereabouts when there were no soap operas to watch and no crack to smoke. That’s being generous, too.

Behind a row of townhouses in the complex we live in, there is a large field. On the right side of it sits the back of the office. That’s where the mailboxes are. None of this seems worthy of being dragged away from the Game Show Network. This was 1998, the year of digital cable.

I look around. I see trees. I see the apartment manager through her office window. I see a guy kicking a soccer ball on the field.

“What am I looking at?” I impatiently ask Christina, as she summons the boy on the field with one hand. He has red hair. He’s wearing Umbros and a hoodie. He’s running up the small crest to the edge of the parking lot where we’re waiting.

“This is the girl I was telling you about, Chad!” Christina proudly announces. I quickly understand where this is going.

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He says he’s seen me around. I say I’ve never seen him once. He says he’s just graduated from Penn State and is living here in a furnished town home. “It’s one of the perks of the job I just got,” he explains.

I tell him I’m eighteen and a telemarketer. I tell him I live in a town home furnished by my mother. “Because I’m spoiled,” I explain. We laugh.

He asks me for my number. I tell him I don’t usually like red heads. But I give him my number. He calls me the next day and invites me over for dinner. I say yes, then feel overwhelmed by guilt.

I call my boss at Olan Mills. Gladys. She doubles as the mother hen of us telemarketers.

“It’s not cheating when your boyfriend is a crazy ass who treats you like crap,” Gladys yells into the phone. Someone takes the phone from her and shouts, “Go have dinner with him!”

No one likes my boyfriend Mike. I don’t like my boyfriend Mike. He leaves a very lasting first impression, like the taste that infiltrates your senses when your tongue accidentally drops down during a cavity fill. That bitter, tangy nightmare that makes your uvula curl up into itself and your eyes water. No one knows Chad yet but he’s got a flag-waving, confetti-sprinkling, horn-honking congregation in his corner. And he doesn’t even know it.

I’m not especially dressed up when I cross the parking lot that night. I’m not especially impressed by his corporate-furnished living space; it looks like remnants from the set of Golden Girls; vaguely comforting except for the fact that I don’t know the guy sitting across from me on a couch printed with giant pink water lilies. I’m not even especially impressed by the pasta with the watery sauce that makes a quiet squirt when he drops a heap of it in front of me, or the obligatory salad that accompanies it.

The conversation must not have been very savory either, over top plates of sub-par spaghetti, because all I remember is that he went to school for architecture. He tells me he sees me getting my mail every day and I guess this is  my cue to bat my lashes and blush because, d’awwww — that boy has been paying me some attention, ya’ll. But I just kind of snort instead. His corporate-supplied dining room table is a plain wooden square with matching chairs. The backs of the chairs are made from that annoying basket-like netting, the stuff that’s so thin and flimsy, like those stupid slats of holy willow the churches give out like candy on Palm Sunday, that any regular person could probably punch their fist through it, the stuff that snags your good sweaters and you keep saying you’re going to get new chairs but you end up getting new sweaters instead.

I’m bored by him but not so much that I’d decline his offer of an after-dinner joint. We sit on the Blanche Deveroux-style couch, boxy and stiff, passing a joint between us. “Can I see your iguana?” he asks breathlessly. My marginal buzz convinces me he said “vagina,” and I can’t stop laughing.

My townhouse is full of cushiony furniture, a blue couch with bright pillows and a dining room table with loudly vibrant vinyl diner-style chairs. I’ve not once sat at that table and ate. My townhouse has fluorescent Slinkies dripping off the ceiling. They glow in the dark. My townhouse would make his Golden Girls cower and shade their eyes. I lead him up to the bedroom of my townhouse, a Crayola box regurgitated by Sid and Marty Kroft.

Templeton, my choleric iguana, looks irritable in his tank. “He doesn’t do much,” I say as we sit on the edge of my bed and watch. My bed is made with cherry-hued jersey sheets.

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I can remember that, but not Chad’s last name. The only thing I remember about Chad is the red hair and phony toothpaste commercial smile.

Chad asks if I want a massage. I say no, but he still tries kneading me between the shoulder blades with his knuckles.

I shrug him off.

Chad asks if he can kiss me. I say no, I think he should leave.

So he leaves and I contently spend the rest of the night watching sitcoms.

With only a parking lot separating us, Chad and I have a few inevitable run-ins. We’re polite. Sometimes we nod to each other from afar and then walk in opposite directions. Eventually, we just never see each other again.

I don’t mind red hair on boys anymore, but I’m not sure that Chad should get credit for that.

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October 27th, 2007 | Category: nostalgia

When I was in high school, I bought this totally awesome blue neon frame, which I used as a “Now Playing” CD display. I would leave it on all night as I slept, much to the chagrin of any friend who happened to be sleeping over.

“Can’t you turn this off while we sleep?” they’d whine. Sure, it might not have been very conducive to restful slumber, but every night as that blue neon washed over my sleeping mound on the bed, I was getting more resilient for city-living, for one day in the near future when I’d be living in an NYC loft, bedroom bathed in the bright lights of bordellos and theaters and all-night chicken shacks, bathroom mirror reflecting fragments of the twirling reds and blues of cop lights, the TV unwatchable from the glare of my roommates cooking crack and the sounds of subway riots pealing past my crumbling plaster walls.

Instead, I wound up in Brookline.

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I might not be in the center of a neon circus, but I have a hole in my bedroom wall, my stereo is capped with a bright blue light and I’m fairly certain my neighbor has a meth lab in her basement.

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I’d say that’s pretty damn close to realizing a dream.

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