Jul 25 2026
Another clown show!

Borbo/Prism is an eponymous duo of artists. They hail from Bushwick, Brooklyn- famously memed for its colorful cast of characters- where they work extensively in the DIY experimental performance art scene.
Prism’s (they/she) work is focused on visual storytelling, with a heavy reliance on folkloric imagery. Having come-of-age in the Appalachian countryside of Ohio, their works’ themes often reflect on the conflicting reality of tradition and personal identity. Prism practices mostly in the mediums of conventional “feminine craft” (sewing, embroidery, applique, textiles). They then force new meaning onto these heavily connotated mediums by enmeshing them with the performance art practices typically overrun with male artists (puppetry, noise music, clowning).
Borbo (it/its) is a queer non-binary percussionist, performance artist, and noise clown. It draws inspiration from a wide range of genres, including psychedelia, free improvisation, and jazz-fusion. Anything it can strike, scrape or shake is a potential musical instrument – drum sets, found objects, toys, and self-made percussive sculptures are all fair game. Borbo has also been observed using live electronics and contact mics as an electro-acoustic tool to augment its percussive sonic palette. A natural buffoon since birth, Borbo rejects self-seriousness in favor of whimsy, queering its own reality by transfiguring clown from performance art to lifestyle and gender.
The duo is currently on their Rust Belt Tour. Blending their typical acts with the essence of the road, the themes have a bit more of a bite to them than they would in Brooklyn. Through this journey, they hope to continue to curate a unique and whimsical craft to share with the world. You can connect with them on Instagram at @borbo.the.clown and @maximum_security_prism.
When I saw this being promoted on Glitterbox’s Instagram right on the heels of our first real clown show there, I was like, “ANOTHER CLOWN SHOW? SIGN US UP!” Henry, good sport that he is, was like, “OK, I will work on adapting to this latest swerve in our lifestyle.”
I was super stoked because a few days before, Jess texted me and said that she and Shawn were free that night and wanted to join us!! And Shawn ended up bringing his cousin Rachel as well! We had a cohort for the clown show!
But first! Henry and I got to Glitterbox around 6:30 when doors opened and I immediately saw a familiar face walking toward the theater — it was someone from the audience at the last clown show who also got to participate in the skit that Henry was involved in! They were the one holding the “boom,” if you feel like going back and watching the video on this post.
Desperate to braid myself into the local clown scene, I went right up to them and (hopefully not too maniacally) said, “Hi! Were you at the last clown show? I recognize you!” and they were like, “Oh! Yes, I was” and, like a cartoon talking with her jaw fully detached and jittering like a pair of wind-up teeth, I (CALMLY) squealed, “And you’re a clown too right?? I fell down the rabbit hole on Instagram after the last show….” and they confirmed that yes they are a clown but no, they would not be performing that night. Their name is Doris! I made contact with a clown and I am so happy. Doris is so pleasant and was a joy to chat with. Meanwhile, Henry had been trying to cross the street and witnessed this from afar, so he looked very tense when he made his way over to me and had a WHAT DID YOU DO look on his face. He is always so afraid that I’m going to embarrass him.
The poster said that doors were at 6:30 so we walked on in like we owned the place and the box office guy (I LOVE HIM, he is so nice) was like, “Oh! Hi!” because he thought doors were at 7 so it was kind of awkward and I said we could leave and come back but he asked BORBO AND PRISM, still in their civilian clothes and setting up the stage, if they minded if we stayed and they said no! Luckily, Doris came in soon after along with a few others. And then Shawn, Jess and Rachel! Shawn was in full on brag-mode because they were on time, lol. Then I introduced them to Doris! But really I was like, “GUYS WOULD YOU LOOK I MADE A FRIEND I THINK?” I’m trying so hard to be the old me and actually talk. to people in public. It’s….a work in progress. Check back later this year.

The show fully started around 7:30, with local clown AZIZZY. OK first of all—after we left the first clown show earlier this month and I started doing the late night Instagram click-throughs, I realized that this was the person sitting behind me that night who had the most INFECTIOUS laughter, so much so that they made the opening act that night seem exponentially more hilarious to me (that opening act was actually the person who teaches clown courses! I’m learning so much about this community after only just realizing it exists at all).
Their routine was about 30 minutes long and my face hurt was smiling so hard. This clown is A JOY. Hilarious. Endearing. Creative. And their sad face!! I kept murmuring, “Awww” and then looking to make sure Henry the Heartless was having the same reaction.

I am prepared to be the biggest AZIZZY groupie this city has seen.
Before the show started, I was trying to explain to Jess and Shawn about the last one we attended and how it’s not your classic Bozo at the Children’s Party mainstream clown stereotype and while it’s not overtly “scary” like those you’d encounter at a haunted house, there is something dark and sardonic about the characters these Neo-clowns create, and it can even be kind of provocative.
While AZIZZY embodied this description, Borbo and Prism came on the stage to totally flip that description on its head. While they were dressed clown-esque, this was more performance art than comedy.

While Borbo sat at a table and created a soundscape that at times felt like it was actually going to make me go inside (think: lots of repetitive industrial sounds and echoing squeaks of toys, etc.), Prism sat on the floor in front of a projector and played with colors and textures. It was one of the oddest, coolest, eeriest, cerebral shows I have ever sat through and it was completely unexpected. It wasn’t for everyone – one woman walked out. I guess I get it, the sounds were so hypnotic and intense at times that it did feel like we were part of some Clockwork Orange experiment. Like, how much can you handle before your mind explodes into a swarm of chittering plastic creepy-crawlies.
It was uncomfortable at moments and I think that was part of the process. This was meant to be something that you could discuss with your friends after and everyone has a different takeaway. For me, it was just interesting how the jarring soundtrack complemented the experimental shapes and colors projected on the screen. We were literally watching these people play with sounds and sights. Like a live Mattress Factory exhibit. Definitely not for everyone but luckily, we are all super weirdos and artists at heart so we all had positive takeaways, I think.
For me, the best way I can describe it is that I felt like I was sitting in a stationary haunted house—not so much the images, but the SOUNDSCAPE. It was very reminiscent to the sounds that are blasting throughout some haunted houses, meant to make you feel on edge or that you’re literally going insane. So, I felt like I was sitting in a chair while the haunted house was happening in front of me rather than walking through it. And you know how much I love haunted houses. I might not look like it on the outside, but I am 100% the target audience for this type of avant garde art.

The finale was a puppet show, and Prism made sure to offer the disclaimer that this was not going to be “clown” themed and that there might be images projected on the screen that could be considered sensitive to some. I was worried it was going to be animal-stuff but it wasn’t so I was OK!
BUT BRO, that puppet show was incredible.
Shawn’s takeaway was that it was a cautionary tale about beastiality, don’t fuck sheep, and Jess cried, “You needed a puppet show to tell you that beastiality is bad??” LOL.
OMG, I have been yammering on all week about this show. I wish I had better words to explain how completely captivated I am by this entire scene. Like, I’m giddy over it. All three clowns from that night followed me back on Instagram and I am so excited to stay in the loop and continue to support them! I even bought my first clown merch that night!

Borbo and Prism make all of their merch using repurposed shirts so no two are the same, and I love that. I got this long-sleeved shirt and it’s so cozy! I wore it in my work meeting on Wednesday on purpose because Wendy is so alarmed at these latest turn of events (she is th biggest clown hater I know) and she yelled, “NO! TAKE THAT OFF!” lol.
Anyway, I love clowns. I love the Glitterbox. I don’t want to do any kind of performing but I would love to get involved with between the scenes stuff at that theater, maybe volunteer Henry for set design or costume sewing. Who knows, but I have felt so lost since 2024 and this is actually making me feel kind of grounded, like have I maybe found a place where I possibly could fit in and make friends?
Sigh.
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