Me: “Jonny Craig played here last night and I didn’t go on purpose.”

Chooch: “That’s good. You shouldn’t.”

Even still, I’m obsessed with his new solo album, OMG.

Ugh, I’d still let him put a ring on my finger, though.

Meanwhile, Chooch is in the middle of a quarrel with Henry and he just yelled, “I WISH CHRISTOFER DREW WAS MY DAD! HE WOULD TEACH ME MUSIC!!” (That would be pretty awkward for me if Chooch’s dad was Christofer Drew considering he’s only like…22 I think? So he’d have been some unmentionable age at the time of Chooch’s conception OMG vomit.)

Prior to Chooch’s outburst, Henry was only used to having someone scream, “I WISH [insert scene guy’s name] WAS MY BOYFRIEND AND NOT YOU”! Chooch is adding a whole new layer to Henry’s complex.

Christ. The names that get dropped in this house are so fucked up.

Little Christofer Drew

Well, you guys. Saturday night had the potential to go down as the biggest fail since I tried to make cookies out of bread. We arrived at the Saint Vincent campus in Latrobe around 6:00. Henry made us wait in the car while he asked two college girls where the Carey Center was because we didn’t want Chooch to hear. “Look, Daddy’s talking to GIRLS!” Chooch squealed, and we laughed about that during the entire walk to the Carey Center, which I guess is their basketball court thingie. Chooch kept asking, “Is this a college? What are we doing here?” so for awhile I was like, “We’re enrolling you early, Doogie Howser.” There was a small gathering of kids outside of the building, waiting for doors to open, so I figured that was as good a time as any to reveal his surprise.

So I gave him his ticket and he just stared at it.

“Is this my surprise?” he asked, not even TRYING to mask his disappointment. (He was being a total jerkface to me a few weeks ago so I snapped and told him that I had a surprise for him but I was going to give it to an orphan instead. So he knew something was cooking.) I said yes, and he was like, “I want a new surprise.”

“You don’t want to see Never Shout Never?!” I asked, trying not to scream because I have a “cool mom” façade to uphold and there were too many kids around.

“Yeah, but I want something from Amazon,” Chooch sighed. WHAT THE FUCK. Henry was in the will call line (he waited until three days ago to buy his ticket) so I texted him and it went something like I DON’T WANT TO BE A MOM ANYMORE THIS SUCKS LET’S JUST GO HOME WHAT A FUCKING SPOILED BRAT HE IS.

Henry turned around in his line and just laughed at me. “It’ll be fine,” he texted back.

And you know what? It really was fine. It was better than fine. It was a fucking fantastic night and Chooch and I really bonded! We had a ton of inside jokes that would make us double over in laughter (Man Boobs and bubblegum) and Henry would laugh too but then he would say, “Haha, what?” and we would just say, “You wouldn’t understand.” And then he would frown and bristle his mustache and we would laugh harder.

The venue was perfect for a seven-year-old. It was literally a college gym, so there were bleachers adjacent to the stage, and the view was unobstructed. Before the show started, Chooch acted like he owned the place, catching the eye of various blond college girls and then shrugging it off like it was no big thing. And then someone near the front of the stage started batting around a red balloon, and everyone acted like they had never batted around a balloon before, while the rest of us acted like we had never watched anyone bat around a balloon before, and somehow it became wildly entertaining. Especially when someone accidentally made the balloon waft out of reach on the stage, and there was a frantic outcry. They kept trying to get various roadies to grab it for them, but their cries were unheard. Finally, someone on stage noticed and returned the balloon to the crowd amid ear drum-perforating cheers.

Chooch then decided he wanted is own balloon to bat around on the bleachers and wanted Henry to take him to find one. Grumpy Henry grumped, “No! There aren’t any balloons out there! THOSE KIDS BROUGHT THAT ONE!” Because he didn’t want to irritate his hemorrhoids by standing up and walking, I guess. But then two, um, “white balloons” appeared in the mix and Chooch lost his mind. “SERIOUSLY?! WHERE ARE THEY GETTING THESE BALLOONS!?” he cried. But luckily, the lights went out soon after and the show commenced before anyone needed to make up an explanation for the “pocket balloons.”

Maps & Atlases opened, and all three of us really liked them. Unfortunately, the slovenly middle-aged couple behind us who kept kicking us in the back did not like them and were very vocal about it. After the Podunk wife complained for the fifth time about how “boring” the band was, her hick husband drawled, “Well shit, they ain’t Iron Maiden” which made her cachinnate a mouthful of phlegm and poor English onto the back of my head. Turns out they were there were Red Jumpsuit Apparatus, who I can’t remember being so terrible, but they were pretty terrible and provided the only lowlight of the night.

During Maps & Atlases set, Henry nudged me and pointed to the side of the stage, where Christofer Drew was watching the band. I in turn nudged Chooch and that kid fucking FLIPPED HIS SHIT. He sat there and straight stared at him until Christofer eventually walked back behind the stage.

“I want one of their albums,” Chooch shouted to me, gesturing over his shoulder to Maps & Atlases. What a wonderful thing to hear from a kid!

Red Jumpsuit Apparatus came on next. I know of them, I remember when they had that One Real Big Hit a handful of years ago, but I have never really paid attention to them. And that Saturday night, I was assured that I hadn’t been missing much. I’m sure to a lot of people, this is a great band. And that’s fine. They seemed like they knew what they were doing up there, but it wasn’t my thang, you guys. It was boring and loud for the sake of being loud. It was cheesy guitar solos. It was Southern rock with boring vocals. It was a guitarist that looked like Taylor Lautner (Henry’s observation, and I laughed that he knew Taylor Lautner’s name) even though Chooch kept arguing that he looked like Justin Bieber.

Chooch was anti-Red Jumpsuit from the get go.

“Ain’t no one got time for that!” he screamed into my ear. And, “Oh, the horror! Kill me now!”

But the jerk-slobs behind us were stoked, that’s for sure!

After playing entirely too long, Red Jumpsuit finally left the stage and we all exhaled in relief. They totally threw off the vibe of the night, and Chooch was acting downright offended by them. He kept forgetting “Apparatus” and started calling them Red Jumpsuit Pfffffft, spraying me with spit every time.

But then Never Shout Never came on and my lord, I knew Chooch had a big-ass mouth, but I never thought a scream so 1989 NKOTB GIRLY could come barreling out of it like it did at the moment. That kid was going NUTS. He inadvertently punched me in the face a few times while overzealously waving his arms in the air.

The second song they played was “Trouble,” which is Chooch’s all-time favorite. He sang along to every word and his eyes were GLISTENING WITH TEARS. I thought maybe I was seeing things, but Henry and I discussed this on the ride home while Chooch was sleeping in the backseat, and Henry confirmed that he witnessed Chooch crying several times throughout the night. HE IS MY SON FOR REAL, YOU GUYS! I officially don’t care how much everyone thinks he looks like just Henry and 0% like me! He has all of my emotions!

God help us all.

I feel like a real douchebag. I used to make fun of Never Shout Never when Christofer Drew hit the scene six years ago (when he was only 16!). I thought he was so stupid-looking, like this weird emo-hippie hybrid who could pass as the second-coming of Jimmy from H.R. Pufnstuf.

And I never really gave his music a chance because it was too “happy-sounding” and we all know how doom n’ gloom I am. I skipped over him every time he was at Warped Tour, I was disgusted when I saw his parts in the Warped Tour documentary that came out last year because he was so negative about the scene. But somehow, one of his songs (“What Is Love?”) made it onto a mixed CD I made for one of our road trips last spring. I don’t know if I had the track on the computer from a compilation or what, but I put it on this CD (yes, I still make mixed CDs in this day and age OMG) and while it didn’t nauseate me, someone in the backseat REALLY latched on to it. I didn’t think it was really going to amount to much, but when I found out that NSN was playing Warped Tour this time around, Chooch said, “Thank god.”

But then he didn’t even really care! We stood near that stage for maybe a song or two, and then Chooch was ready to move on. But a few weeks later, he and I walked down to the Exchange because I wanted to buy the new Hands Like Houses and sometimes they get new releases there. They didn’t, and the girl who was working kept trying to look in the electronica section when I told her it was post-hardcore; way to know your stuff, dumbass. But they had a Never Shout Never EP there, and Chooch said he wanted it. It was $5 so I was like, “Whatever,” figuring that he would listen to it once and it would get thrown to the wayside in favor of Minecraft videos on his phone. But he played the FUCK out of that EP, and then I bought him the “What Is Love?” album and he played the FUCK out of that, memorized all the words almost immediately, proceeded to watch 259451259745 NSN videos on YouTube, and then found Christopher Drew on Instagram.

I can’t stress enough how important I believe music is. Yeah, I get: everyone thinks forcing young children to play some form of organized team sport is like THE FOUNDATION for a healthy childhood, but to me, music is just as important. Chooch is a really emotional kid, some of those emotions seem really advanced to me—this isn’t me bragging. This is me being legitimately concerned that my kid is suddenly not going to have an outlet for those emotions because some days he reminds me of Erin Rachelle Kelly at Fifteen. But seeing how connected he’s become to music is somewhat of a relief to me. I mean, this isn’t like a kid hearing an LMFAO song on the radio and singing along. This is a kid devouring everything he can find about an artist, poring over lyrics, asking me what certain parts of the songs mean. Music heals, you guys.

I thought Chooch’s NSN-mania was cute, and I was thankful that it wasn’t something really terrible like Fresh Beat Band or Katy Perry, but I still didn’t really get the appeal. After Saturday night, I think I can officially say that my mind has been effectively changed. That kid is a fucking PERFORMER. His banter with his bassist and drummer, and the crowd, was entertaining and not at all annoying. You know how sometimes it’s like, “OK STFU AND SING, YOU MOTHERFUCKER? I DIDN’T PAY TO HEAR YOU TALK?!” It wasn’t like that. The between-song hijinks were just as entertaining as the actual music and I even caught Henry smiling. HENRY—SMILING! I wish it wasn’t so dark in there so I could have photographed that, as well as captured video of Chooch going nuts.

They played for about 90 minutes, so we didn’t get out of there until around 11:30. Chooch started losing steam around 10:30; I put my arm around him (look at me, being a mom!!), but every time he’d start to fall asleep on my shoulder, they would play a song that he loved, so he snap his head up and start singing and clapping. Before one song, Christofer started to talk about how he used to smoke a lot of cigarettes. Chooch cupped a hand around his mouth and yelled to me, “‘Coffee and Cigarettes’! I know that’s what he’s going to sing next!” (Except that Chooch calls them “cigarats.”) And then when the band played the first few notes, Chooch smirked and yelled, “See? ‘Coffee and Cigarats’. I knew it!” And when he played “Can’t Stand It,” kids started breaking away from the crowd to dance with each other. And I gotta say, it was a refreshing change from the circle pits and walls of death that are prevalent at the shows I normally attend.

And now I kind of think that Christofer Drew is adorable. I guess I always assumed he was trying too hard, what with the warpaint he used to wear on his face and the wolf hat-wearing and the acting like he just stepped out of Henry’s wardrobe circa 1972. But this is who he is, for real. A walking, talking, no-shoe-wearing Woodstock representative in this scary 21st Century Land who just wants everyone to love each other. I get it now, Christofer Drew. I get it. I’m a fan. And I’m happy that I get to share this with Chooch now before he becomes a surly teenager who doesn’t want his lame mom to like the same music as him.

When we got back to the car, I turned to Chooch and asked, “So, now do you think this was a good surprise?

And in this earnest, sincere voice, he shook his head and quietly answered yes. He then proceeded to excitedly talk a mile a minute about the show before passing out for the hour drive home to Pittsburgh. Totally worth it. But I’m still not posting the video of when I gave Chooch his ticket because it pisses me off so bad! Even though Henry tried to explain to me that a concert ticket doesn’t mean the same thing to a 7-year-old as it would to a teenager, and I guess I understand that. Thankfully, the actual concert was another story!

I have a feeling someone is going to be asking for a ukulele for Christmas.

One more week until I can finally give Chooch his secret tickets to the Never Shout Never show! I’m getting all excited about it, and I never even really had much of an opinion of Never Shout Never before, but Christopher Drew has really grown on me thanks to Chooch’s constant need to listen to their CDs in the car. I usually gravitate more toward sad, depressing lyrics, but he is so freaking positive, basically a 21st century hippie, and that’s OK. It’s good that Chooch has someone like that to look up to, I guess.

(I mean, if you ignore the fact that he’s a pothead.

I guess it could be worse, though.

It could be Jonny Craig,)

This is the song that started Chooch’s obsession, all because he likes how Christopher sings “question.” And below is a video of Chooch singing the beginning of “Love is Our Weapon,” among other Chooch-things. Seriously, who stands like that while watching videos on their phone?!

Hopefully, when he realizes what’s going on this Saturday, he won’t look like this. DO YOU EVEN KNOW HOW HARD IT HAS BEEN FOR ME TO KEEP MY MOUTH SHUT ABOUT THIS OMG!?

My friend Natasha shared a link on my Facebook timeline just a few moments ago:

“On this day in 1990, The Cure released its “Disintegration”-era live album “Entreat” – recorded in London’s Wembley Arena in July 1989.”

I remember it being so hard to find this when I started to really really really like the Cure in the late 90s because it was released as a promotional item. Pretty sure I was still unaware of Amazon in 1999. I don’t even think I was using eBay yet? Instead of relying on the Internet, I relied on my weekend visits to Eide’s Entertainment in the Strip District, where my “Cure dealer,” as I lovingly referred to him, would see me walk in and run to pull out the latest bootlegs and imports that they had acquired, and I would in turn pull out the good old credit card. And whenever there was a new video (always on VHS), it was truly a red letter day. The last couple of times I visited Eide’s, it was obviously a very different experience. As it is with any record store in the iTunes-era.

I love the Cure. I will always love the Cure. But I hate that it is not as fun to love the Cure, as far as “collecting” goes.

Now I can just go online and download what was once considered a treasure to find. I can go on YouTube and watch live videos from Tokyo, the same videos that made people say, “Sweet find!” about my Live in Japan VHS I snagged when I was 20.

<

If I can’t make it to Lollapalooza, I can live-stream the Cure’s set from my fucking living room. Technology may have made it easy to be a band’s #1 fan, but it sure as shit took a lot of the fun out of it.

On the other hand, what I think is great about Robert Smith is his lack of an Internet presence. Because not only is there a huge over-share problem with us regular plebes, celebrities in general post so much bullshit on Instagram and Twitter that there is no mystique left. I’ve seen the weeners of half of the metalcore scene thanks to Twitter and the now-defunct Is Anybody Up. But you don’t get that with Robert. There’s still that air of mystery. I can still pretend that Robert’s wife Mary never existed and that he sleeps in a coffin with my picture taped to the top.

My Robert Smith love is very different from my Jonny Craig love, that’s for sure. I would never fly to Australia for that douchebag, that’s for sure.

Anyway, unrelated to any of this, I want to close out my unofficial Cure Week with one of my favorite songs from The Head On the Door, which was the Cure album I was listening to the most during the time I was running around trying to secure travel arrangements to see the Dream Tour in Canberra. Coincidently, the week I was over there was the exact same week Henry started his job at Weiss Meats, the place I was currently employed. So his first impression of me was an empty desk and everyone telling him that I was the “crazy office manager” who flew to Australia “for some band.” Before we started dating, when we were in that awkward “Does he/she like me?” phase, Henry “randomly” made me this elaborate Cure screensaver; that’s when I knew he liked me for real. (God, that’s so dorky!)

Four years later, we were on a plane to California together, destination: Coachella, where the Cure was headlining. Thank god I found someone who could tolerate my hyper-obsessions.

When I was really little, maybe 5 or 6, I remember my stepdad having parties where there was always a David Bowie record spinning, or Duran Duran, or The Cure, or…Hall & Oats (and I still like them because of this!). My dad wasn’t necessarily a huge fan of the Cure that I know of, but he is definitely how I first heard of them. It wasn’t love at first listen, though. I wasn’t wearing Head on the Door t-shirts to Kindergarten with my hair all teased out. I was still primarily a radio-happy kid who loved Madonna and Michael Jackson and Toto’s “Africa.”

I didn’t own any of the Cure’s music myself until I was 12, when I bought the “Friday I’m In Love” cassette single at National Record Mart. I used to watch a lot of late night MTV in my room then. I can’t even pretend to be cool and talk about all the actual records of theirs that I owned, because by the time I was really starting to get into music, CDs had already hit the scene. Up until then, the only records I owned were T’Pau, Steve Winwood, Flashbeagle and that terrible Julio Iglesias/Wilile Nelson duet. So believe me, even though I was making mix tapes with my little Fisher Price tape recorder, I wasn’t half the audiophile that Chooch is already at age 7.

So even though I owned that cassette single from the Wish album, it wasn’t until I was in my late teens when I actually heard anything else from it (I had to let the gangsta rap stage run its course, OK??); I was immediately taken with “Open” and how, even apart from the lyrics, it’s like listening to someone’s sanity completely derailing.

and the way the rain comes down hard

that’s how I feel inside…

God, yes! That’s how I feel even without the assistance of drugs or alcohol. How relatable are Cure songs to us sad sacks? So on point!

The whole Wish album is amazing, really. Even the oft-skipped over “Wendy Time” lights a spark in me, and obviously “From the Edge of the Deep Green Sea,” during which I have had to force Henry’s hands into the sky the two times we saw the Cure together. He’s so stubborn!

Henry and I went to Cleveland in 2005 to see Circa Survive and I bought this cheap plastic ring at the greatest store ever (Big Fun) because the design on it reminded me of the Wish album cover. It’s cracked now, on the part that goes around the back of my finger, and I barely wear it anymore because I don’t want it to break.

One more video! This one is from Wild Mood Swings, which is actually in my bottom 3 favorite Cure albums, but I lovelovelove this song because there’s a line that goes “It kind of wasn’t quite what I hoped for, you know” which basically sums up how I feel about most everything.

Thanks to all who have been following along and contributing Cure stories and favorites of your own! This has been so much fun, but tomorrow will be the 7th post already! :(

In the early 80s, the Cure found itself with just two members: Robert Smith and Lol Tolhurst. (Lol is the subject of an inside joke I’ve shared with my friend Alyson for years, so I immediately get giggly even typing his name.) Lol moved to keyboards for the series of singles that would become the Japanese Whispers EP, veering the Cure toward a more synthpop/new wave sound which has always appealed to me because I LOVE SYNTHPOP. A Different Drum 4 lyfe!

Because my other Cure posts have been so fucking depressing, I wanted to definitely feature my favorite song from this particular Cure era to kind of lighten the mood. (Even though it’s Sunday and I’m historically miserable and depressed on Sundays.) “Let’s Go To Bed” was intended to be a tongue-in-cheek response to how hyper-sexual pop music was at the time (and three decades later, the joke is even more relevant). I only wish that I could find the original video, because it’s fantastic and Robert is so young and adorable and OMG. But, short of me dusting off my VHS copy in the attic and making Henry find a way to get it on the computer, this generic YouTube video will have to do. HAPPY FUCKING SUNDAY.

(There was no Cure post yesterday because god forbid some jerk 7-year-old should give his mom 5 minutes on the computer.)

I’m afraid that this is going to be another two-video post. But there is just so much I want to share and I’m having a lot of fun doing so!

Not to come across as some sickeningly depressive sad sack, but today let’s talk about the two songs from the beloved Disintegration album that can make me drop tears faster than Snooki drops her baby.

When I first moved into my current house back in 1999, I was really lonely. Yes, I almost always had people in my house, but in my heart, you guys. In my heart, I was lonely. I was still a year away from meeting Henry, and almost two more away from officially dating him, so I had that sadness that sometimes creeps in when you’re with all of the wrong people for the wrong reasons, like stuffing a bourbon-soaked cotton ball into a cavity-filled molar. So when I was alone, I would spend A LOT of time curled up on these two giant pillows I had on the floor, drinking Manischevitz from a blood-red goblet from Pier 1, and sobbing my dumb fucking eyes out to “Prayers For Rain.” Usually on repeat. But goddamn, did I feel great afterward! Like my heart was all scrubbed out and cleansed.

The drums always reminded me of when Atreyu was approaching the Riddle Gate in “The Neverending Story.”

The next summer, for my 21st birthday, my incredibly thoughtful friend Shawn (aka Mr. Wonka) built the most personal gift ever for me:

I had no idea what the hell it was when he presented it to me. He’s really into smart people things, so I was thinking to myself, “Oh great. A pyramid. Is this some geometric prank on me?” But then when I opened it, a small pot inside the pyramid began slowly revolving while “Prayers For Rain” played. He made that. FOR ME! It doesn’t play anymore, the batteries died I guess, but I will NEVER EVER EVER PART WITH THIS. It has a special place inside my curio cabinet. One of the greatest gifts I’ve ever received.

Conversely, the only time Wonka and I have ever fought was on the way back from a haunted hayride in Somerset, PA that same year when he had the audacity to say that Morrissey can sing circles around Robert Smith and I swear to you, I almost cut him. His then-girlfriend tried to change the subject by talking about Fiona Apple, like I give a shit about Fiona Apple, but at least she wasn’t trying to say she sang better than Robert fucking Smith!

I am clearly still fuming about this.

*****

It’s nearly impossible to have a favorite song by the Cure, but I’m pretty sure if I was forced to choose, it would have to be “Same Deep Water As You.” From the opening peal of thunder to Robert’s breathy “and we shall be together,” this song puts me in the most beautiful trance.

This was playing in our house last Saturday night, and I held my arm up to Chooch and said, “Look at the goosebumps.” He looked and then nodded solemnly. He gets it.

But then he walked away because he said I was making him want to cry.

For years and years and years, I have wanted this to be what plays while I walk down the aisle, but at this rate, I guess just use it for my funeral. (You know, followed by “Funeral Party.”)

One of my most treasured hobbies used to be scouring eBay for Cure artifacts. (OK, I still do this sometimes, but it’s not as much fun now that I don’t have Mommy’s AmEx card to pay for my bounty.) Some girl painted the above portrait of Robert for an art class and I had to have it. Henry and I were at King’s Island in Cincinnati the day that the auction was ending, and this was in 2005 so I didn’thave the luxury of hawkeyeing my iPhone every 3 seconds, watching the auction countdown.

So I did it the old-fashioned way: I wrote “DON’T FORGET THE CURE” on my wrist and left the amusement park early enough to get back to Christina’s house so I could place my winning bid. I love the fuck out of this painting and hopefully one day I’ll find a suitable (read: gaudy) frame for it.

I think I won this on eBay in 1999? It was actually delivered to my house on Christmas Day, that much I do remember. It was the best Christmas present ever.

Yes, before I had a Jonny Craig doll, I had a Robert Smith doll. I’m certain I (see also: my mom) paid a small fortune for this.

But my favorite piece in my collection is probably this limited edition print of a self-portrait Robert painted in 1990. At the bottom is a verse from the yet-to-be-released “Letter to Elise.” This print has been hanging over my couch for as long as I can remember and I refuse to replace it with anything else, not even a picture of my kid.

I remember this one time, a journal that Robert Smith and Lydia Lunch had shared together was up for auction. Of course, the reserve on it was something astronomical. I drove to my mom’s house to beg her to help me get it, I pulled my hair in desperation, I rolled around on her kitchen floor in anguish. At the pinnacle of my frenzy, I even suggested that I sell my car.

You guys, I was pretty obsessed. I have really calmed down a lot since then (I mean, mostly) but there is not a day that goes by that I regret a single cent I spent on any of this memorabilia. The Cure was such a huge coming-of-age influence on me and helped me really discover who I was behind that yo-girl, gangsta rap-spouting front I always had up.

I never really considered myself to be Goth, but being on the periphery of that scene was really where I started to find myself. I was even inspired to not only start writing again, but to share my writing with strangers. I stopped being the fake-happy person I thought everyone else wanted me to be and started being myself. In a way, the Cure kind of helped me to grow some fucking balls.

And now I’ll leave you with the song that reminds me of driving down dark country roads to haunted hayrides; roomfuls of apple cider candles; and sitting cross-legged on the floor, making mixtapes.

I feel like the popular answer for the whole “you can only take one Cure album with you to the deserted island” question would probably be Disintegration. And that is a really fucking great album, don’t get me wrong. But my choice would be “Kiss Me Kiss Me Kiss Me” for the sheer variety.

There’s moody, there’s upbeat and happy, there’s downright schizophrenic aching. It’s like an instrumental journey around the world. And that’s what I love.

But I have two favorites and they both remind me of stabbing the shit out someone mid-coitus on balmy summer nights.

First up is “The Kiss.” This song makes me want to simultaneously rage out and make a baby. (Pretty much how Chooch was conceived?) The instrumental intro is intense, passionate, HOT.

And when Robert’s anguished wail bursts through the speakers, climaxing with his urgent desire to “get your fucking voice out of [his] head,” it’s like THE ORIGINAL SCREAMO.

Second is “If Only Tonight We Could Sleep” (with “Like Cockatoos” coming in a super close third). This is the song I want to hear as I’m dying.

When I saw the Cure at the Royal Theater in Canberra 13 years ago this October, they played all three of those songs in a row and it brought me to my knees; I remember briefly feeling alone in that moment, mostly because, well, I had gone to Australia for this concert alone. And I wished I had someone there with me to share this moment, but then I realized that I wasn’t alone: I was surrounded by a thousand people who felt the same way as I did, and who fully appreciated this moment more than most anybody. How could I think I was alone? I promise you that this was one of the Top 5 best moments I’ve had to date. October 19th, 2000, baby. Goddamn.

Never has music relaxed me so much, yet wound me up at the same time. It’s like being in a foreign place yet somehow feeling comfortable.

The Cure is so good at that.

I’ve decided to declare this week as Cure Week on my blog, mostly because I can. I realize that today is Tuesday and most “[x] Weeks” would probably start on a Monday, but you know how it is over here: completely unorganized and scattered.

You might know that the Cure is my all-time favoritest band in all of the world. Yes, Robert Smith has way more of my heart than Jonny Craig. And if you didn’t know that, just come to my house, where framed portraits of Robert abound. (And dozens of others are rolled up in my bedroom, waiting to be framed.)

I was in the cemetery on Saturday (obviously), listening to the Cure (how cliché), when I started thinking about how much they’ve impacted my life, how I literally can’t listen to a single song of theirs without being transported back to certain times, and how thankfully I don’t associate them with any of the shitty people from my 20s.

Maybe you don’t know anything about the Cure, or maybe you only know the big radio singles (“Friday, I’m In Love” / “Lovesong” (NOT THE 311 VERSION, UGH UGH UGH) / “Close To Me” / “Just Like Heaven” / “Boys Don’t Cry”), and if even one person out there realizes that they like the Cure, I will consider this a success. BECAUSE THE CURE IS AMAZING and it makes me sad the amount of times I’m met with a blank look when I tell someone that the Cure is my favorite band. I guess I just assume that a Rock and Roll Hall of Fame-nominated band is well-known.

For Day One of Cure Week, and in honor of Chooch’s newfound fear of butterflies, let’s start with the classic “The Caterpillar” from the Top album, which I always consider to be one of their sleeper hits. It’s full of all kinds of weird shit, which is my favorite music genre. (The piano in the beginning of “The Caterpillar” sounds uncannily akin to the frenetic noise my brain makes when I’m writing in this blog, by the way.) I used to make my friend Brian watch this video over and over every time he came to my house, which probably factored into him eventually moving to Nebraska.

Randomly, I googled for upcoming Never Shout Never shows the other night at work and two results came up: one for somewhere in South America, and one, surprisingly, in Latrobe which is only about an hour away from Pittsburgh.

And it’s a Saturday night!

It was a no-brainer. I bought tickets for Chooch immediately because he has been singing this shit in his SLEEP lately. He even commented on one of Christopher Drew’s Instagram pictures that as soon as he gets in the car, he puts on NSN CDs.

I bought him a NSN tshirt and he wore it for three days straight until I finally wrestled it off him and threw it in the laundry basket.

I don’t even think I was this obsessed over a band yet at that age!

So the plan is to not tell him about this until we get there on September 28th, which might just be the hardest secret I’ve ever had to keep.

He’s going to shit himself. And I can’t wait to Instavid it.

OK. I know that I mention Jonny Craig A LOT A LOT A LOT on my blog, on Facebook, in real life, in my dreams, while Henry is trying to get busy, but I feel like I have been doing kind of good with not spamming you guys with Jonny Craig videos.

BUT.

My boy Captain Midnite posted this one a little while ago on his Facebook and I’ve held off as long as I can and now I need to post it here because it’s a fucking compulsion, OK. A motherfucking compulsion.

Anyone wanna be my date to his show in Pittsburgh this October?

Because Henry’s being a bitch about it.

this is all my favorite bands

[nevershoutnever}  {thesummerset I like boomerang} I’m a boomerang yeah yeah {wecameasromans I like ghost} i like  this song it’s boomerang!!! :) i like lightning in a bottle but i cant sing it in front of grandma because it has the f*** word in it im catching lightning in a bottle don’t give a f*** about tomorrow yeah i’m dancing in the backseat we don’t need gravity here in the afterglow yeah were rolling with the thunder!!! :)

what are your favorite bands? :o

Chooch has been singing* “Happy” by Never Shout Never in the car for the past week now and it’s the cutest fucking thing MAYBE IT MEANS HE WILL BE A SINGER/SONGWRITER FINGERS CROSSED. Two weeks ago at the Exchange down the street, he bought the EP that this song is a part of, which is the first CD he expressed interest in owning himself. Yes, I know—compact discs! How archaic! I would actually like to steer him toward vinyl at some point, to be honest.

*(He struggles with the word “reminisce” though and I have to try not to laugh.)

I’m starting to think Christopher Drew is his Jonny Craig.

But in all seriousness, the fact that he is suddenly so interested in non-radio bands is making me so happy. We pretty much spent all morning talking about music and I was kind of like, “Is this really happening!? PARENTING RULES.” When he was in utero, I would play music constantly and talk to him about what he was hearing. We’d be driving to the cemetery and I would be explaining to him about how Anthony Green left Saosin to form Circa Survive because he loved playing music with Colin Frangicetto, or I would play Matthew Good’s “While We Were Hunting Rabbits” and tell him about how sad it made me. And of course all of the Cure that played constantly, with me saying, “This is your daddy singing. Your daddy is Robert Smith.” Basically, all of the things that would make Henry roll his eyes or zone out, I would tell the developing fetus in my uterus because he had nowhere to run.

And now, seven years later, he’s really starting to get it.

He’s beginning to know band members’ names (yes, other than Jonny Craig and Robert Smith) and he’s starting to ask me questions, even!  Seven is a super good age.

I’ve been having so much fun with this kid, even though we had a fight on Saturday and I told him he was going to have to sit under the table and eat alone at my birthday dinner the next night, to which he scream-cried, “I DON’T EVEN WANT TO GO TO YOUR STUPID CASTLE DINNER AT ALL!!!” and then Henry had to send us to our rooms.

Hey, I never said shit was perfect around here. But we’ll just keep listening to this song until we’re convinced it is.

Is our skin to keep the world out or our bodies in?

OK, I tried to hold out as long as I could, but I have to post about this song because it has been coursing through my brain for the last 2 weeks.

I first heard about Hands Like Houses two winters ago, when it was announced that Jonny Craig had recorded guest vocals on a song from their upcoming album. I mean, magic words: JONNY CRAIG.

Of course I ran off to listen to it and I promptly had a music orgasm. I remember thinking that the singer sounded a bit like Brendan Urie (Panic! At the Disco), and then when I found out the band is from Canberra, Australia, I was officially on board. Have to give love to the Canberrians! That’s where I saw the Cure perform in 2000 and the people in that city were so unbelievably nice to me—one of the radio stations there kept playing my story over and over, so when I would go to various places around town, people would say, “Are you that American?!” So bizarre. But I have had affectations for that city ever since, so I definitely wanted to support Hands Like Houses.

Their debut album was released a year later in the States. I liked it enough, but it wasn’t like, “HOLY SHIT YES.” It didn’t have that instantaneous effect on me that some music does. But for some reason, I started listening to it a lot more over the last year, really listening to it, hearing the nuances that have that heart-tugging quality that I missed the first time around. And finally one day, I realized that this band was starting to fill the void that Emarosa left in my heart. (Fun fact: I tweeted that a few weeks ago and Emarosa replied to me, promising that new music is on the way! DYING. Bradley Walden from Squid the Whale has replaced Jonny. I’m pretty stoked to hear the outcome.)

Anyway, Hands Like Houses released their sophomore album a few weeks ago and I was smitten at first listen. The song that I shared at the beginning of this post was my instant favorite—I was editing Warped Tour photos when it first came on and it made me stop dead.  I love it when music has that ability.

These guys killed it at Warped Tour. Henry even bought me a Hands Like Houses tank, and he never buys me SHIT at Warped Tour. I think he’s just happy because it’s a band that has no screaming and no Jonny Craig (except that one song). I’m already crying for them to come back to Pittsburgh.

DON’T MAKE ME COME TO AUSTRALIA AGAIN, YOU GUYS!!

/end sixteen-year-old girl diary entry